Winokur's portraits of artists and friends, made in the eighties, look even better in retrospect. Forty of the garishly colored photographs are here, many on view for the first time.
Among the throng are Cindy Sherman, Laurie Simmons, Philip Glass, Mary Boone, and Andy Warhol, most of whom pose before neon-bright backdrops, facing forward, passport-picture style. The results are far from flattering but irresistible even when the subject isn't famous. Like Thomas Ruff's eighties portraits (most of which Winokur's predate), they have a matter-of-fact documentary quality that avoids any pretense of psychological depth while allowing us to absorb every ravishing detail.
From the New Yorker.