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Review: Hiroh Kikai at Yancey Richardson

Posted By Administration, Tuesday, June 9, 2009
Updated: Monday, January 13, 2014

Fourteen black-and-white photographs taken in one Tokyo neighborhood between 1974 and 2003 provide a core sample of a portrait project that Kikai continues to pursue after some thirty years on the street.

His subjects, most of whom stand before a featureless temple wall, are wonderfully random: a young girl in traditional dress, a boy in a crude homemade wrestler's mask, a maintenance man in a biker's helmet, a bunny in a cape.

Read the complete review in The New Yorker.

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