DATE: January 22, 2009
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Review: Josef Schulz at Yossi Milo Gallery
The super-glossy computer-manipulated work in this Polish-born, Düsseldorf-trained photographer's American début was made over the past six years, but it already feels a little retro.
Schulz begins with photographs of office buildings, elevated expressways, and big-box stores, then strips the structures of all signs of age or individuality. Not only are there are no logos on the buildings in these huge color prints, there are no doors or windows.
Read the complete review in The New Yorker.
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