DATE: April 24, 2009
Elaine Mayes, Sweet Pam, courtesy Steven Kasher GalleryThe flower children were no longer so blissed-out, but they sat for their portraits with a touching gravity and looked into Mayes's camera as if they knew they could trust it and her.
Read the complete review in The New Yorker.
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Review: Elaine Mayes at Steven Kasher Gallery
All but one of Mayes's portraits of young people in Haight-Ashbury were made in 1968, when San Francisco's hippies shared the streets with runaway teens and a growing population of drifters and drug addicts.
Elaine Mayes, Sweet Pam, courtesy Steven Kasher GalleryRead the complete review in The New Yorker.
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