Howard Greenberg Gallery - - Features - The Association of International Photography Art Dealers encourages public support of fine art photography by acting as a collective voice for the dealers in fine art photography and through communication and education that enhances the confidence of the public, museums, institutions and others in responsible fine art photography dealers.

A woman's face is distorted in a mirror.

Berenice ABBOTT
Self Portrait - Distortion, c.1930
Gelatin silver print; printed 1945-50
6 5/8 x 5 3/8 inches
Photographer's credit stamp on print verso.

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A depiction of a pile of rocks at an industrial work site with several workers and steel machinery as a part of the scene.

Margaret BOURKE-WHITE
Coke Pile at Aluminum Reduction Works,
Aluminum Co. of America, 1934
Toned gelatin silver print; printed c.1930s
13 3/8 x 9 3/8 inches
Mounted. Signed in pencil on mount recto.
Photographer's credit stamp on mount verso.

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A composite of dozens of portraits sits under letters that spell STUDIO, in all caps.

Walker EVANS
Penny Picture Display, Savannah, 1936
Gelatin silver print; printed 1974
Image size: 12 7/8 x 10 3/8 inches
Mount size: 19 1/4 x 14 3/4 inches
Mounted. Signed and numbered in pencil on
mount recto., New York, 1978), p.127

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This tall and narrow photograph shows houses and plumes of smoke soaring into the open sky.

Nadav KANDER
Concrete I, (The Hundred Of Hoo towards Damhead
Creek Power Station), England,
from the series, "Dark Line - The Thames Estuary", 2016
Archival pigment print
Image size: 39 3/8 x 17 3/4 inches
Paper size: 44 x 19 5/8 inches

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A dreamlike placid sea's horizon is shown in this tall and narrow photograph.

Nadav KANDER
Horizons II, (Allhallows towards London Gateway Port), England, from the series, "Dark Line - The Thames Estuary", 2015
Archival pigment print
Image size: 39 3/8 x 17 3/4 inches
Paper size: 44 x 19 5/8 inches

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The sea's horizon is shown here in this tall and narrow photograph, which also shows rippling waves toward the bottom of the frame.

Nadav KANDER
Horizons III, (Hadleigh Ray towards Canvey Island), England,
from the series, "Dark Line - The Thames Estuary", 2015
Archival pigment print
Image size: 39 3/8 x 17 3/4 inches
Paper size: 44 x 19 5/8 inches

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The camera captures an upward view of a Wall Street intersection, showing three building tops and a street sign.

William KLEIN
Street Corner, Wall Street, from Below, New York, 1954
Gelatin silver print; printed c.1954
10 7/8 x 13 3/4 inches
Signed, titled, and dated in pencil with photographer's
address stamp on print verso.

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Two images of models wearing hats with flowers on them are spliced together.

William KLEIN
Vogue Pattern Book, 1967
Unique composite of three gelatin silver prints; printed c.1967
14 1/2 x 11 5/8 inches
Mounted. Archives Conde Nast/Vogue Paris credit stamp on
print verso. Archives Conde Nast/Vogue Paris credit stamp,
Conde Nast Paris copyright stamp with annotations in ink,
Conde Nast Publications, Inc. copyright stamp, ”Vogue
Pattern Book” stamp, ”This photograph must be returned
to the New York office stamp” stamp, ”Paul Dzurella/
Flexichrome Retouching” stamp, photographer's credit
in ink, and annotations in pencil and colored pencil on
mount verso.

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A man wears a crazy wig and makeup over his mouth that is in the shape of a heart.

Jaroslav ROSSLER
Untitled (Self-portrait), c.1930
Gelatin silver print; printed c.1930
8 3/8 x 6 1/4 inches
Annotations in pencil with photographer's
address stamp on print verso.

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A beleaguered looking black child holds her head while laying down on a cot.

W. Eugene SMITH
Haiti, c.1958
Gelatin silver print; printed 1970s
11 x 14 inches
Illus: Ben Maddow, W. Eugene Smith, Alfred Stieglitz Center & Philadelphia Museum of Art, Let truth be the prejudice: W. Eugene Smith, his life and photographs (Aperture, New York, 1985), p. 212.

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